The Marquee Blog

Rolling Stone reveals the joys of vamp sex

If you watch “True Blood,” there really isn’t much on the latest cover of Rolling Stone that you haven’t already seen before, rivulets and spatters of blood included.

The hit HBO show is known for unabashedly delving into a mix of blood, sex and violence that even at its most disturbing – as some called the scene from an earlier season three episode, in which Bill literally made Lorena’s head spin in the bedroom – it leaves viewers thirsting for more.

"True Blood" creator Alan Ball said he wouldn't have it any other way, regardless of how many fictional awkward teen girls spring forth to pine for their sex-refusing vampire boyfriends. If it's about vampires, Ball told Rolling Stone, it's got to have some sex.

"To me, vampires are sex," Ball told the magazine. "I don't get a vampire story about abstinence. I'm 53. I don't care about high school students. I find them irritating and uninformed."

And so of course, in the middle of an article that traces the growth of the bloody phenomenon through the perspective of its stars, we get tidbits about how the actors deal with all of that nudity.

Anna Paquin, for one, admits to wearing a “patch” – a piece of attire that resembles a thong with the sides cut off – when she’s got to film a nude scene as her alter-ego Sookie Stackhouse. For men, there’s the “sock” option to cover the goods.

But while Stephen Moyer, who plays Sookie’s vampire lover Bill Compton, wears a sock on set (not that he has “anything to hide," he assured Rolling Stone), Alexander Skarsgard, who portrays the vampire Eric Northman, wants nothing to do with the tube of modesty.

“I don’t want a sock around it, it feels ridiculous,” Skarsgard said to Rolling Stone. “If we’re naked in the scene, then I’m naked. I’ve always been that way.”

Who, pray tell, could ever be melancholy on that kind of set?

“[W]orking on ‘Six Feet Under’ could sometimes be depressing, but ‘True Blood’ is very different,” Ball said of his two series, (the former of which came to an end in 2005). “It’s about archetypes, the subconscious, mythology and wish-fulfillment. I’m like a kid going to the playground everyday.”

You can read more on "True Blood's" sexy success in the latest issue of Rolling Stone, available on newsstands Wednesday.